A big, big thanks to Ryan Waggoner for recommending this excellent, short book.
Here's what Ryan has to say about it:
The title would have you believe it’s about time management, and it is, partly. But it’s also about living deliberately, and about why you should manage your time in the first place. It’s a very quick read, no more than an hour or so, but the principles in the book are incredibly valuable. - http://ryanwaggoner.com/2010/09/how-to-live-on-24-hours-a-day/
I'm a fan of Ryan's work and writing on productivity and habits, so I went and checked the book out. First, yup, it's easy to read in one sitting. Second, yes, there's a lot of good insights into why you should take control over your time.
Now, I'm a person does try to live my time, so you'd think I already have plenty of reasons. And I do. But the author of How to Live 24 Hours Per Day does a really good job of getting you into thinking about things the right way. Also, the book has some really funny English humor in there.
Today, we bring you a veteran creative producer -- learning from his father who was a television executive back when the few networks reigned supreme, Lee Schneider has intense insights from his career in journalism, writing, documentary production, and entrepreneurship. You can find him at his Digital Fundraising School, and he's doing a GiveGetWin deal focused on key insights for creative producers on making high-quality content, building an audience, and earning a living from your art and passion.
How To Build An Audience, insights from Lee Schneider as told to Sebastian Marshall
I started in words even though I was writing for picture. I was a newspaper reporter and writer for TV shows… on TV, I wrote the introductions, intros, and outros.
I wrote for a newspaper in Texas and for A&E. This started teaching me the relationship between words and pictures. I went to writing for local television and Good Morning America. I learned how to write fast and how to write in a big noisy room, and how to write for picture. This is a key thing, the relationship between pictures and words. They get stronger as they relate, words and pictures, and sounds.
That led me to working for news magazines like Dateline NBC and a magazine for Fox, Frontpage. I was producing stories in the 8-10 minute range, and telling a story in that range of time is a very different animal than telling a story in 20 seconds like you would for a news broadcast. That led to longer form stuff; after Dateline NBC, I did Biography for A&E and started my own company doing hour-long documentaries for the Learning Channel, History Channel, and others.