There's been some really good discussion/feedback on it. Here's a great comment by Pedro Ramirez - the story in here is excellent -
I would add a 7th strategy:
Learn the rules and the goal and exploit them.
Let tell you a quick and simple story:
I was attending to some weekend course about teamwork, one of those activities that are made to let all the team members know each other and so on, anyways, we were faced with a “challenge” of creating the tallest structure with just straws and standard pins, the rule was just one, the structure has resist one minute without falling, we had like 5 minutes to build the structure, we were five people, we spent the first minute discussing a design, then we started to build the thing, when four minutes had passed it was clear that we will not succeed, since all the teams were in the same area and we were able to see what others teams were doing, as you can imagine, all the teams were trying to copy or take ideas from other teams, our structure was at that moment like 3 foot tall and the tallest structure was like 4 1/2 feet tall, our structure was not very stable to I tell the team something like: “the task is to create the tallest structure, not the most beautiful or coolest, do you trust me?”, they did, and they followed my instructions, we quickly changed all the base and we finished creating something like an inverted champagne flute(without the base of course) with a very tall “antenna”, we won the challenge by far, our structure was not only stable but tall(more than 7 foot).
I have applied that principle, in many other situations and it works great, of course, some times people don’t like it but its completely legal.
Love that story. Great insights. Cheers Pedro, thanks for sharing some good insights.
Pedro's site on computer programming is - http://thereisnotrycatchfinally.blogspot.com/
My friend Joshua Spodek was kind enough to write about his experiences building out public art exhibitions. One of the lessons he has is counterintuitive - that it can be a faster path to success to get large art projects off the ground than it is to work your way slowly through the art world. Here's Josh -
Art can be an insular field and breaking in is a common challenge, so I'd like to share it with a community that values success and victory. I hope there are insights others can use and share too.
My background is in science and entrepreneurship, but I've developed a passion for making art. I'm not content with just creating it -- like any artist I want exposure and recognition (sales aren't bad either).
The challenge is that New York's art world is notoriously xenophobic and tends to promote from within. My credentials -- a PhD in astrophysics and a company running for over a decade -- mean little to them. Even making great art only gives a foot in the door.
I have a huge challenge that my work doesn't photograph at all and video doesn't capture it that well. When galleries take an interest in my work, a version this conversation happens:
Last Wednesday a friend decided to buy an RV in Portland, Oregon. Knowing that a decent part of my recent life has been dedicated to ripping apart my RV and rearranging it, he offered to fly me up there to check it out with him and drive back down. Done deal.
Two days later we're greeted at the Portland airport by a beautiful 2000 Roadtrek 170. I used to think that my RV was the shortest fully functional RV, but I was wrong. This thing is only 17 feet (vs. my 20'8"), and still manages to pack in a bathroom, kitchen, and all that. The only thing stopping me from selling mine and buying one is the fact that it doesn't have a full-time bed. Other than that, this thing is ideal. So if you're RV shopping in this size range, check it out.
Here are a few snippets from the trip: