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Go Big or Go Home - Succeeding in the Art World

My friend Joshua Spodek was kind enough to write about his experiences building out public art exhibitions. One of the lessons he has is counterintuitive - that it can be a faster path to success to get large art projects off the ground than it is to work your way slowly through the art world. Here's Josh -

Art can be an insular field and breaking in is a common challenge, so I'd like to share it with a community that values success and victory. I hope there are insights others can use and share too.

My background is in science and entrepreneurship, but I've developed a passion for making art. I'm not content with just creating it -- like any artist I want exposure and recognition (sales aren't bad either).

The challenge is that New York's art world is notoriously xenophobic and tends to promote from within. My credentials -- a PhD in astrophysics and a company running for over a decade -- mean little to them. Even making great art only gives a foot in the door.

I have a huge challenge that my work doesn't photograph at all and video doesn't capture it that well. When galleries take an interest in my work, a version this conversation happens:

Better Procrastinating

On Tynan

I have a big project I'm working on (secret for now, haven't decided if I should write about it yet or not), and I've been seriously procrastinating.

It's not that I don't want to do it. It's something I arrived at myself, is very inline with my Life Nomadic goals, and will be very exciting to complete. It's my perfect project.

I'd been working on it for a week, though, and had been getting very little work done. To use a rough estimate, I had done maybe 5% of the work in a week. Twenty weeks until completion is way too long.

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